Although
it pains me to say it, it has not been a particularly vintage year for Irish film.
There were none released that were particularly bad per se, more that
there was precious little to get excited about. That being said, for
the second year in a row 2 Irish films will make it into my top 20
films of the year (one in my top 5). So positivity is necessary here.
The ones that were good were really good. Instead of doing a list, I
am going to do what I did last year and give out arbitrary and
imaginary awards to those who deserved them. It is more fun to come
up with silly names quite frankly. So without further ado…
The
make me laugh and cry award (aka best Irish film of 2013) - Good
Vibrations
This
is a film that blindsided me this year. It tells the story of Terri
Hooley, record shop owner, music producer, dreamer and bad husband
who brought punk to Belfast in the 1970s and 80s. This film is an
absolute joy to behold, emotional without being cloying, harsh
without being brutal. There are tears and laughs in equal measure but
crucially they are earned with a terrific tone and a great
screenplay. Richard Dormer is terrific in the main role. The scene
when he hears a certain record for the first time is just beautiful
to behold. This is an absolute triumph and it is easily the best
Irish film of 2013.
The
‘What’s Up Doc?’ award – Broken Song
The
best Irish documentary this year was the wonderful Broken Song
directed by Claire Dix. It tells the story of a group of young lads
who rap. They are predominantly from the Finglas/Ballymun area of
Dublin. Git and Costello have a father/son relationship which they
both seem to draw on for lyrical inspiration. They also try to mentor
some of the younger kids of the area. The songs themselves are
lyrically brilliant, the content reflecting lives lived and dreams
that slipped away. Into this comes singer/songwriter Willa Lee, who
has a voice most singers would kill for. But he is also a
troublemaker and a little bit too lazy. Dix delves lightly into their
pasts but without reducing the film to working class misery porn
which can happen in films such as this. At its heart, Broken Song
is a simple story well told. And it is all the better for it.
The
‘overnight sensation’ award - Paul Duane
If you
do not know who he is now he will be more familiar to you in 2014.
Duane has had a superb year with Barbaric Genius released on
DVD, a superb documentary (Natan) on the way, and a TV show
about to air on RTE and BBC 4 (Amber). If that is not enough
Variety only went and named him on their highly prestigious 10
Directors to watch in 2014 list. He is an all round good egg and very
entertaining on Twitter (@MrPaulDuane). Mark my words this time next
year he could be announced as the director of Transformers 5. We can
only hope he can resist the lure of Hollywood and keep making the
quality Irish films he has been making.
The
‘this kid’s got something’ first film award - Gerard Barrett
Pilgrim Hill
Pilgrim
Hill was released to talk of an instant classic and of a serious
talent to behold. The talk of a masterpiece doesn’t help either the
filmmaker or Irish film in general. Pilgrim Hill is not a
masterpiece but it is a good enough film to suggest the birth of a
major Irish filmmaker. The story of Jimmy Walsh and his life on his
farm is lean, beautifully shot and very confident. It has a feeling
of authenticity rarely seen. You get the feeling that Barrett and
lead actor Joe Mullins know this terrain very well. They have carved
out a memorable and low key film with a great central character at
the heart of it. I cannot wait for Barrett’s next film to come
along.
The
1st Annual ‘just release the f*cking film will ya’
award – Tin Can Man
This
is an easy winner. It is Tin Can Man by Ivan Kavanagh. It will
be the same winner every year until this film gets a cinema release.
Seriously people you have no idea how good this film is. Hassle your
local TD. It needs to be seen.
A
couple of honourable mentions. Citadel by Ciaran Foy was a
very interesting film that fell away into genre conventions a little
too much. But there is more than enough to suggest that he will make
something excellent in the future.
It has
not been on general release yet but the excellent documentary Where
I Am by Pamela Drynan is a terrific and humbling story of what
happened to American writer Robert Drake. It did screen in the IFI
over the summer so I do not know if is getting a general release. It
has been an excellent year for Irish documentaries as evidenced by
the above choices and I have still to see The Summit! I will
do so soon.
So
that is it for 2013. Keep your eyes peeled on the blog for an article
on Irish cinema in 2014 which I will publish over the next couple of
weeks.