Film Review - Calvary (2014)

From the opening scene it is clear John Michael Mc Donagh is aiming for a weightier tone than the lighter one successfully employed in his previous box office smash The Guard. An older looking and bearded Brendan Gleeson plays Father James, a priest who at the beginning is sitting in the confession box. Off-screen we hear someone enter and start talking. There follows a quite astonishingly worded first line by the off screen character (mentioned in surprised awe by the Father James after it is spoken. Indeed there is some reflexive play on writing and characterisation littered throughout Calvary). The camera stays on Gleeson’s wonderful face throughout. The set up for the film is established in this scene: Father James has a week to get his house in order before he is murdered. This sets in motion a week where Father James meets up with all his regular parishioners (played by an assortment of famous Irish faces) and starts to think about how he has spent his years as a priest. There is also the small matter of family issues to deal with.  

The film is sectioned into days of the week which propels it forward nicely towards the inevitable showdown. It is clear that Father James is heavily involved in the lives of his parishioners. And what a group they are: there is Jack Brennan (Chris O’Dowd) the town butcher having marital difficulties. He believes his wife Veronica (Orla O’Rourke) is having an affair with Simon (Isaach De Bankolé). There is the rich banker Michael Fitzgerald (Dylan Moran) with difficulties money can’t buy. There is also Dr. Frank Harte (Aidan Gillen) the most cynical of doctors. We also have Milo (Killian Scott) who is lonely desperately so and local barman Brendan (Pat Shortt) who watches and sees everything. It should also be mentioned that legendary character actor M. Emmet Walsh turns up as a reclusive American writer. Add to all this Father James has to deal with Bishop Montgomery (David Mc Savage) and inept priest Father Timothy Leary (David Wilmot). There are a lot of troubles ahead.

There is a touch of an Agatha Christie whodunit about the set up here. Each character could conceivably hold a grudge if not against the priest certainly against the Catholic Church. This seems to be Mc Donagh’s theme here. Does a good man have to keep apologising for the wrongs of an organisation? And more importantly should he die for that organisation? Not for nothing is this film called Calvary. There is a lot to like about this film. As mentioned Gleeson is always a pleasure on screen and it is great to see him in a leading role. But for me the problems far outweigh the good qualities on show. Whilst the acting from the cast is pretty good very few of them can get under the skin of the characters they are playing (Chris O’Dowd is a notable exception). This is mainly due to a quite frankly poor screenplay. Some of the dialogue is fine and occasionally inspired. But the main problem with the screenplay is the same that plagued The Guard, namely the characters speaking the same cod philosophy and phraseology. Here it is expanded out to a much larger cast. The effect of this is exhausting meaning we never really get to know any of the characters (there a lot of speaking roles, more than even mentioned in the last paragraph, far too many really). This is all fine if you place the film within a heightened universe, so the dialogue can be played up theatrically say. But this so grounded in the admittedly beautiful Sligo soil that the words sound ridiculous and staged when they should sound heartfelt and realistic.

Calvary will no doubt have its fans. Indeed it would be nice to see an Irish Film Board funded film do well at the box office. But there is a sense here that Mc Donagh has not really moved on from The Guard. And with the success of that film maybe he does not need to. But for me this is a film that despite some good moments, a great cast and some gorgeous cinematography just does not work. By the time the final act happens (which aims for and fails to achieve a kind of operatic grandeur) you just do not really care. A missed opportunity. 

Dublin Film Festival 2013 Reviews - #2 The Good Man

The little paragraph that tries to capture a film in a film festival brochure is a fascinating thing: trying to stand out amongst scores more paragraphs all trying to get you to part with your money and see their film. If you are a small Irish film I would imagine it is even more difficult when you are up against some stellar sounding international fare. I had read about The Good Man in the JDIFF brochure and was intrigued. One quick look on the internet and I picked it out as one of my films to see. Its central idea of how two different stories seemingly unconnected, thousands of miles apart, could be brought together successfully, intrigued me.

I am sad to say that The Good Man does not succeed in its goals. The juxtaposition of a successful business man in Belfast (Aidan Gillen) and a student living in the townships of Cape Town is very interesting. The stark contrasts of these two disparate lives are not overplayed and there is thankfully none of the generic wailing song that accompanies many Hollywood depictions of poor people in Africa.  But sadly the film, for the most part, has a script that barely rises above cliché. The direction by Phil Harrison is flat despite the use of some stunning locations. At a short 74 minutes, it really feels like a slightly padded hour long episode of television.

The cast do their best but aside from Gillen and Thabang Sidloyi (who is excellent) as the student Sifiso there is very little else. Kelly Campbell plays Gillen’s wife but it is a part that is barely there. This is all a real pity as the film has an ace up its sleeve that is revealed far too late. There is a scene right at the end that intercuts the two stories in a fascinating and surprising way. But at this stage I had given up on the film and its characters. This may be worth a watch at home on TV but it doesn’t do enough to warrant a trip to the cinema.

My Irish films to see at Jameson Dublin International Film Festival

There are quite a number of Irish films showing at this year’s festival so how do you know which ones to see? The answer is you don’t! That is the wonderful thing about film festivals, the film you are most looking forward to can be a let down, and a film you have very little expectation from can surprise and delight you. This is the wondrous thing about cinema and the main reason I am obsessed with it. With this in mind here are the Irish films I will be seeing at this year’s festival. You can expect full reviews of these films soon (not sure when, as I am attending 17 films at the festival this year!).

1. The Good Man

Starring The Wire’s own Tommy Carcetti, Aidan Gillen stars as Michael, a banker (boo!) whose life begins to unravel after an accident. It is the unexpected collision with another mans life, Sifoso, in Cape Town that will ultimately be his reckoning. There is the possibility that this film will descend into cliché but I am optimistic that we will get something here that will say something about ourselves and the world in general.

Screening: 16^th February 4pm Cineworld 11

2. Where I Am

This documentary tells the story of Robert Drake, an American writer who was viciously assaulted and left for dead by two men in Sligo in 1999. Left permanently brain damaged and unable to walk, Drake was painted as a predatory gay man at the trial of his assailants. The documentary follows Drake as he returns to Ireland over a decade later. This is a story I knew very little about and it is a film I am really looking forward to seeing.

Screening: 16^th February 6.45pm Lighthouse 1

3. Broken Song

This unlikely documentary follows three Dublin men, Git, Costello and Willa Lee who see themselves as street poets, hip hop artists and songwriters. This film raises the intriguing question: namely can we see past people’s roots and upbringing and see what is inside? As a working class northsider myself I am fascinated by my own response to the question. We may have a Pyjama Girls for young men on our hands here.

Screening: 19^th February 6.10pm IFI 1

4. Jump

‘Jump follows the lives of four twenty-somethings whose lives collide one fateful New Year's Eve amidst the ancient walls of Derry, Northern Ireland in a night of fast talk, accidents and intrigue.’ To be honest this is the kind of all too familiar description that makes me nervous going to see some Irish films. But should it have more than the description suggests we could have a real winner on our hands.

Screening: 19^th February 9pm Lighthouse 1

5. Milo

This is the story of 10 year old Milo who is unaware that he suffers from a rare genetic disease. His parents keep him under strict control but invariably real life gets in the way. This Irish/Dutch co-production could be a small gem but the real worry is if the script is strong enough to sustain a feature as the story seems quite slight. I hope to be pleasantly surprised.

Screening: 23^rd February 3:45pm Cineworld 11

6. The Moth Diaries

I do not even know where to begin with this one. An IFB co-funded horror film from the director of American Psycho should really sell itself but bad reviews seem to have sunk its chances. I will approach it with an open mind as I am a fan of the director and of its Irish star Sarah Bolger but this one worries me the most.

Screening: 23^rd February 6pm Cineworld 8

One to note: Natan

Irish filmmaker Paul Duane’s Natan, about a French film pioneer largely forgotten should certainly be a must see for people who are interested in film history (I will be there). I was a big fan of his film Barbaric Genius  and although this is a film  not set in or about Ireland it is directed by a fine Irish filmmaker.

Screening: 15^th February 6.10pm IFI 1

One to avoid: The Hardy Bucks Movie

Now I know I said that you should keep an open mind but this is a film I would sell a kidney to avoid. It sold out quite quickly so I could not see it anyway but not being a fan of the show or the trailer for the film, I am fine with missing out. Using the classic TV show trope of sending the cast on holiday (Euro 2012 here) this one seems destined to be awful. But who knows, maybe it will ‘buck’ the trend (see what I did there). Knowing what I know about cinema then, I expect this to be a huge box office success.

Screening: 18^th February 8.15pm Lighthouse 1

Honourable mentions for films I won't see at the festival but have heard good things about are The Summit and Black Ice. I am sure i will see these two in the future.

If you would like to purchase tickets for these films or any others here is the link: http://www.jdiff.com/index.php/guide/guide/buying_tickets

 So these are the films I will be seeing.  Have you got some other Irish films you will be seeing? Let me know below.