There is a trend in documentary
filmmaking for the filmmaker to put his or herself in the film. No more the
outside observer, filmmakers such as Nick Broomfield and Michael Moore have
made this practice feel very familiar in the last decade. The director of Knuckle, Iain Palmer, whilst not
visually present in the film, does become a major character in the film:
interacting quite a lot with the subjects of the documentary. This is to some
degree expected as he has made this film over 9 years and the subjects of the
film would certainly have come to know him quite a bit. The flipside of this,
however, is that Palmer risks his objectivity and one of the uncomfortable
feelings watching his film is that he has become one of the gang. In fairness
to the director he does point out the risk of this himself in voiceover during
the film.
Knuckle
tells the story of bitter feuds between various traveller families which seem
to have been going on for decades. The central feud is the one between the Joyce
Mc Donaghs and the Quinns. The modern incarnation of the feud seems to be a
murder of the one of the members in London
in the early 1990s. There seems to be no end to the fights and hatred that
emanates from these two families. The men are the decision makers and fighters
who are in charge of everything. The women seem to be submissive and, in this
documentary, are rarely on camera.
This is a serious documentary with
some appalling violence throughout as fights are organised. There is humour
here however as the precursor to fights usually revolves around one member of
the family sending a video challenging a rival for a fight and profanely
insulting him. Anyone who has ever watched American wrestling will be struck by
how eerily similar the videos are to the pontificating of the wrestlers being
interviewed. But the fights themselves are brutal and bloody. You can feel
every punch landed. There is admirably no sanitising it for the audience.
Palmer is a filmmaker who clearly has the respect and trust of these men. There
is unprecedented access to a community that is generally closed off. There is
an argument to be had that he is only showing one particular part of the
traveller way of life and it is probably a fair criticism. But in fairness to
Palmer the title of his film points out exactly what he was looking to
document.
There is one scene where Palmer
finally gets a chance to talk to the women of one of the families. This scene
is quite revealing as it shows an unexpectedly progressive attitude towards the
cycle of violence that engulfs them. One is left wanting more of that kind of
input. There is also the feeling that despite the rivalry and feuding that
exists that there is another reason altogether for the fights and this is
money. Up to €20,000 has been bet on some of these fights and one can’t help
wonder if that figure is only what people are prepared to admit to. If this is
a strong reason for the fights it adds a cynical edge to an already unpleasant
business.
Knuckle is a
tough watch. It is about an unpleasant subject yet it is hard to take your eyes
from it. Palmer has crafted a fascinating and brutal documentary that enthrals
and appals in equal measure. The people in the film are colourful and
entertaining and come out with some hilarious phrases. Yet it is hard not to
feel saddened by the limited viewpoint of the world that the men have in these
two families and the lack of influence the women have. It is this in the end
that is the great tragedy and not the fighting itself.
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